One thing I absolutely love about this course is the fact that we are learning so much about other cultures’ core values and beliefs through these stories. This week, we took a look at France through the story Legend of Melusina. Count Raymond is married to a beautiful woman named Melusina in the story. She promises their love will be long and plentiful as long as he never tries to see her on Saturdays. Greed (a recurring sentiment we should all be familiar with by now) takes over Raymond’s heart, and he makes a point of seeing her on a Saturday – but he is shocked to see that she has transformed into a snake. After this, she curses him and his lineage and turns into a spectral entity that – when seen – is the precursor for the current crown’s death. This feels like a campfire story, and that’s awesome. It’s got clear morals like don’t give in to greed and respect your partner’s boundaries – the combination of the two makes this piece genuinely progressive and timeless.
What’s more is the fact that, even though she put a hex on Raymond and his bloodline, she isn’t necessarily portrayed as a malignant entity. She’s simply the victim of a broken promise. This isn’t a cautionary tale of vicious monsters or women who are up to no good. This isn’t a story about a righteous man who can do no wrong. Melusina is the victim – and the man, Raymond, is a fool. This is a story about appreciating what you are given, especially if you didn’t ‘earn’ or create it. I am excited to hear other students’ interpretations of the piece, its message, and its literary value compared to some of the other stories we’ve covered. It’s cool to see a story that wants its audience to treat each other respectfully.
Also, I wasn’t sure where to fit this in, but Melusina is doomed to spend eternity in pain and suffering as a ghost – which hammers in the idea that she isn’t the ‘monster’ here. I am a little worried about the detail of Raymond and Melusina’s children being born with deformities – it almost makes me feel like the intended moral of the story is something more along the lines of “don’t be so blinded by desire that you don’t recognize the monster in your home.” However, as we saw with the Oxford English Dictionary definitions of day one, words can stay the same and change meanings. No matter an author’s intent, it is what you take away from it that really makes a difference in anything.
Wonderful response, as you are grappling with the text and a specific question it evokes: who is wrong and wronged and why? You are right to note that Melusine “isn’t necessarily portrayed as a malignant entity. She’s simply the victim of a broken promise.” I hope we can hone in here, on this insight, to develop an interpretation; and you have shown the way in how to do this. You write, in a kernel of a thesis statement: “This is a story about appreciating what you are given, especially if you didn’t ‘earn’ or create it.” Great work!
Hi Michael,
I really enjoyed your response on the entire story of Melusina! I thought it was interesting how clear the connections were to you of this story in modern times. When you point out the idea of greed it does resonate with this story as it is clearly shown that Raymondin was willing to do anything and everything just to be able to call Melusina his own, but as clearly shown the one thing she asked for was not respected. I think this idea is huge as it makes me reflect to my own culture in which it is intended for women to stay quiet and be treated as property while the men can never do no wrong and we must abide by all they say and do. Overall I thought your summary in the first paragraph help push me in the direction of wondering what other story like Melusina’s there are out there in the world in which there is no depiction of bad monster but overall the idea of “appreciating what you are given”.