Week 10: The Ocean and Humans as One

This week’s reading I decided to focus on Helen M. Rodzadowski, Vast Expanses: A History of the Oceans (Reaktion Books, 2018), “Introduction: People and Oceans” as it was an interesting reading but also played like a wakeup call in my head. A part that really stood out to me was, “Even events that took place at sea are often narrated as though the ocean is a flat, land-like place without its underlying depths, having two dimensions instead of three.” (Rozwadowski, 7), and in this I thought was important as the ocean is constantly portrayed as something so small and tamable that humans forget the reality of the ocean as something so deep and untamable that has played a role in human history for so long. This part of the story took me to another reading for this week, which is Steve Mentz, Ocean (Bloomsbury, 2020): “Deterriotarializing Preface” as it is giving seven words that change our view and understanding of the ocean. The one word that caused this parallel thinking between both readings was the word “Distortion” as Mentz states, “Water’s tri-dimensionality sometimes orients us on the buoyant top and at other times closer to the irresistible bottom.” (Mentz, xvii). Both citations contain the word “dimension” which sparks something in my head as viewing the ocean as layers, and why do we still view the ocean as something flat? Why can’t we see the ocean as what it truly is? Why can’t we accept that we cannot tame the ocean? It is a place of nature that continues to make up majority of the Earth and provide for living creatures. If we were able to grasp the concept of the ocean as three dimensional, I believe there will be more of a further understanding between the ocean and maybe ocean world along with human history.

Another point of the text that resonated with me was, “People have exploited the ocean for many reasons, starting with food and transportation, but also as the focus of myth and culture.” (Rozwadowski, 7). This put in perspective how much we rely on the ocean as much as we do land, the ocean is able to provide many of the things we seek for and depend on for constant living just as land does. I also thought it was interesting to add in “myth and culture” as many do not acknowledge this but there is a significant number of stories about mythical beings that come from water, but also many cultures who view themselves as one with the ocean. Going back to Mentz’s reading makes me see the different words this small passage is able to go along with most if not all the words he defines, but the one word that specifically stuck with my thinking was “Flow” as he states, “Thinking in terms of cyclical flows rather than linear progress makes historical narratives messier, more confusing, and less familiar. These are good things.” (Mentz, xvi). I thought the way flow was defined fit with my citation of Rozwadowski as it takes enough to acknowledge ocean as a part of our history, but more so if we realize our history isn’t something that is going to be constant, but it is changing as much as the ocean does and there isn’t a correct starting and ending point.

Both of these readings really struck me as makes me reflect on the class and how we are able to go from the history of mermaids, then to the environment, and back to the ocean. There is a constant change between all topics but there somehow always a shown connectedness between all three, almost as if it was a cycle. I think it is important not just in this class, but to the Earth as a whole to acknowledge the points being made in which we understand our history has always involved the ocean and that it is always changing, but to also see the ocean as a place that has been depended on for so long not just by humans but by all living creatures.

Discovery: The Girl Who Fell Beneath the Sea

Sierra Suelzle

Dr. Pressman

ECL 305

3 March 2024

Axie Oh’s book, The Girl Who Fell Beneath the Sea, is a modern feminist retelling of the Korean folktale “The Tale of Shim Cheong” in which the main character, Mina, sacrifices herself to the Sea God by jumping into the ocean for her village. Mina is then guided to the spirit realm by a dragon where she discovers the Sea God has been placed under a spell. She embarks on a journey to free the Sea God from the spell to save her community by stopping the extreme weather and famine ravaging her land. Axie Oh’s The Girl Who Fell Beneath the Sea (2022) reveals the symbiotic relationship between humans and the ocean and how the fragility of that connection can lead to either’s destruction. Through the development of nuanced character relationships and rich symbolism, young readers in the United States are urged to recognize that their relationship with the ocean is threatened by environmental instability. 

The relationship between humans and the ocean is established and changes multiple times throughout the novel. The connection between humans and the ocean is explained and revealed by the string of fate that ties Mina to different characters throughout the novel. Oh uses this relationship to showcase how dependent we, in the United States, are on the ocean and how our relationship with the ocean has to shift with the changes in the environment. When Mina first enters the Spirit Realm, she is left alone with a red string tied around her palm, realizing it is the Red String of Fate. The “Red String of Fate ties a person to their destiny” (Oh, 2022, p. 21) or “to the one person [their] heart desires most” (Oh, 2022, p.21).  Following the string to discover her destiny or her person, she is led to the Sea God’s palace and finds the other end of the string attached to who she believes to be the Sea God’s hand. Later on, the string attaches itself to a character named Shin whose job is to protect the Sea God. This shift signifies a change in humans’ link to the ocean. Mina is initially attached to the Sea God to protect her village from the storms of the sea but that changes when it is realized that the ocean itself needs protecting. In this novel, the Sea God is a physical representation of the ocean and the ruler of all nature, but Shin is his protector. Oh utilizes this connection between both men as a way to demonstrate to young readers that as the instability within the environment and the ocean has increased, they need to take on a protective role to enhance their association with the ocean. Humans are not separate from the ocean, we are tied to nature but our actions have to change depending on the problems that we encounter, such as climate change.

The relationship between oceans and humans is threatened by the refusal of humans to change or limit their actions that are harming the environment. Oh creates the relationship between the emperor of the land and the Sea God to showcase how fragile human relationships truly are with nature and the environment. The Sea God was said to love the emperor and even blessed the emperor’s people, but the emperor was defeated in battle, and that angered the Sea God. When the Sea God was angered, first “rivers and streams dried up” (Oh, 2022, p. 31) causing a horrible drought, then “rain fell from the sky in sheets of icy water” (Oh, 2022, p. 31) which caused flooding and for some people to drown in their sleep. Oh uses the wrath of the Sea God as a symbol of the environment fighting back against human actions. The anger the Sea God had over losing the emperor represents the consequences of not treating the environment with care and respect. This manifests in both the real world and the story as unpredictable and extreme weather conditions that are made worse by the continuation of polluting the earth.

 In addition, in the story, the emperor decides to sacrifice women to the Sea God as a way to solve the problem. Instead of relinquishing power and restoring it to someone whom the Sea God loves, he chooses to hold onto his position and sacrifice his citizens. Humans have come up with a similar solution because, in the past few years, we have seen how the environment has been affected by human selfishness, but we are not doing anything to stop it. Especially in the United States, people propose solutions that target the symptoms, not the problem itself. One example of this is trying to prevent coral reef bleaching, but continuing to mine oil and dump waste into the ocean. Oh utilizes this relationship as a way to warn her audience that our reliance on the ocean cannot be trusted if we are not treating it with the respect it deserves and making the climate crisis worse by abusing our natural resources. 

Comparatively, the role of the environment in the daily lives of people in the United States has been routinely underappreciated. The environment provides people with most goods, food, travel, and a place to live. Oh shows how a lack of appreciation and care for the environment leads to an inability to live in harmony with the world. The people of Mina’s village consistently pray to their gods who take care of all parts of nature, but these gods are not eternal. It is said that: “when rivers are polluted and the forests burn, the gods fade and disappear” (Oh, 2022, p. 250), and when a god fades, “all [the] memories of [what they] once [were], of what [they were] meant to protect” (Oh, 2022, p. 250) are lost. So, when humans are careless with the environment and do not cherish the natural resources they have for them, the environment turns it back on them. When humans start to take advantage of the environment and all that it provides for us, there is a shift in mindset from working with nature to working against it. This pressures our relationship with the ocean, specifically, because it controls the production of so many resources humans use constantly. The relationship with the ocean in the United States becomes even more fragile than it already is and is put more at risk when people disregard its importance to overproduce. 

The relationships between characters and groups of characters, as well as the symbolism of connections, in this novel, are vital to demonstrating the importance of the ocean. Mina’s village is shown to rely heavily on the ocean and the esteem that the people hold of the ocean is high. Axie Oh displays this feeling of the ocean to an audience that normally does not put much thought into how paramount this body of nature is in their lives. People, especially young people, in the United States are encouraged to shift and value their relationship with the ocean at a time when the environment is experiencing drastic changes. 

Work Cited

Oh, Axie. The Girl Who Fell Beneath the Sea. Feiwel & Friends, 2022.