The Little Mermaid and Coming of Age
In The Little Mermaid, the passage of girlhood to womanhood that the unnamed mermaid experiences when having eight oyster shells pinned to her tail on page 113 reflects the strict expectations and limitations held for young adult women of the Victorian era; The elements of attire and theme of pain suggest the hardships and deceptions of becoming a woman, teaching the difficulties of discovering one’s identity and societal expectations during the influential stages of maturity.
At the time the little mermaid turns fifteen, her time to broaden her horizons and witness the outside world in all its beauty has come. Her grandmother prepares her granddaughter for the event by dressing her in special attire, essential for a coming-of-age ceremony. The first item is placed on her head, a heavy wreath of lilies with pearls on each leaf: a laurel, as known in Victorian times, is meant for good luck, as the main character is about to embark on a new journey of self-discovery. Though her journey is as heavy as her wreath with pain and heartbreak, the little mermaid is seen victorious at the end of the story, signifying her newfound maturity as a woman.
In the language of flowers, white lilies represent not only innocence and purity but a sign of love towards the recipient by the one it’s given from. This shows the love and hope of purity (meaning that it is expected of the main character to remain with pure thoughts and actions, which is later shown hiding secrets from her sisters and running away) that the little mermaid’s grandmother has for her grandchild. Last, Victorians had the belief that pearls represented tears; The pearls in the little mermaid’s wreath give a foreshadowing of the tears she must hold back after realizing her hopes of marrying the prince are destroyed. However, the pearls in her wreath are also a representation of her transformation into a woman; Pearls are formed due to an irritant that is uncomfortable for the oyster, reflecting the pain that becoming a woman takes.
The last piece of attire, eight large oyster shells are attached to the little mermaid’s tail, she immediately lets her grandmother know that the decoration hurt her but is responded with the phrase, ‘pride must suffer,’ or as most women know, ‘beauty is pain.’ The analogy of the oyster shells and corsets is important to understand as in Victorian times, a young woman would start wearing corsets at the age of fifteen. What do corsets do? Besides hurting and misshaping the ribcage and organs its purpose was to restrain women, laced tightly this would restrict breathing leading to fainting. Because of this, women had to walk slowly, as if meant to not let them walk fast or run. The oyster shells and corsets represent being tied down, not wanting to let a woman come outside the box she has been placed in, hence the little mermaid mentioning the attire being heavy and expressing wanting to take it off as soon as possible. This symbolizes the desire of freedom to explore and learn new things after being molded to be what society expects of a refined and noble young woman who is soon to be wed off. Which in Victorian history, the ages of eighteen and twenty-six were the average age of marriage for women, this makes sense as to why the little mermaid ran away from home.
To conclude, the little mermaid now being seen from this new perspective is a young woman who has been protected and is suddenly being thrown into a new world of femininity filled with expectations that clearly, she wasn’t happy with following. Hans Christian Andersen gave a voice to young women who felt the same way as his little mermaid did and dreamed of liberating themselves from the strict society of the Victorian era. Through the portrayal of her attire and feelings towards the obstacles that she finds in her journey, not only does it bring light to a hardship of centuries but also opens a door for young women to relate to her situation and find consolation and motivation to break free.
Work Cited
Bacchilega, Cristina, and Marie Alohalani Brown. “The Little Mermaid.” The Penguin Book of Mermaids, Cristina Bacchilega, 2019, pp. 113–130.